Among the”great company of remarkable figures that  will appear to the eye of posterity at the head of the Indian Renascence, one stands out by himself with peculiar and solitary distinctness, one unique in his type as he is unique in his work. It is as if one were to walk for a long time amid a range of hills rising to a greater or lesser altitude, but all with sweeping contours, green-clad, flattering the eye even in their most bold and striking elevation. But amidst them all, one hill stands apart, piled up in sheer strength, a mass of bare and puissant granite, with verdure on its summit, a

solitary pine jutting out into the blue, a great cascade of pure, vigorous and fertilising water gushing out from its strength as a very fountain of life and health to the valley. Such is the impression created on my mind by Dayananda.

It was Kathiawar that gave birth to this puissant renovator and new-creator. And something of the very soul and temperament of that peculiar land entered into his spirit, something of Girnar and the rocks and hills, something of the voice and puissance of the sea that flings itself upon those coasts, something of that humanity which seems to be made of the virgin and unspoilt stuff of Nature, fair and robust in body, instinct with a fresh and primal vigour, crude but in a developed nature capable of becoming a great force of genial creation. When I seek to give an account to myself of my sentiment and put into precise form the impression I have

received, I find myself starting from two great salient characteristics of this man’s life and work which mark him off from his contemporaries and compeers. Other great Indians have helped to make India of today by a

self-pouring into the psychological material of the race, a spiritual infusion of themselves into the fluent and indeterminate mass which will one day settle into consistency and appear as a great formal birth of Nature.

They have entered in as a sort of leaven, a power of unformed stir and ferment out of which forms must result. One remembers them as great souls and great influences who live on in the soul of India. They are in

us and we would not be what we are without them. But of no precise form can we say that this was what the man meant, still less that this form was the very body of that spirit. The example of Mahadev Govind Ranade presents itself to my mind as the very type of this peculiar action so necessary to a period of large and complex formation. If a foreigner were to ask us what this Mahratta economist, reformer, patriot precisely did that we give him so high a place in our memory, we should find it a little difficult to answer. We should have to point to those activities of a mass of men in which his soul and thought were present as a formless former of things, to the great figures of present-day Indian life who received the breath of his spirit. And in the end we should have to reply by a counter question, “What would Maharashtra of  today have been without Mahadev Govind Ranade and what would India of today be without Maharashtra?” But even with those who were less amorphous and diffusive in their pressure on men and things, even with workers of a more distinct energy and action, I arrive

fundamentally at the same impression. Vivekananda was a soul of puissance if ever there was one, a very lion among men, but the definite work he has left behind is quite incommensurate with our impression of his

creative might and energy. We perceive his influence still working gigantically, we know not well how, we know not well where, in something that is not yet formed, something leonine, grand, intuitive, upheaving that has entered the soul of India and we say, “Behold, Vivekananda  still lives in the soul of his Mother and in the souls of her children.” So it is with all. Not only are the men greater than their definite works, but their influence is so wide and formless that it has little relation to any formal work that they have left behind Even if we leave out of account the actual nature of the work he did, the mere fact that he did it in this spirit and to this effect would give him a unique place among our great founders. He brings back an old Aryan element into the national character. This element gives us the second of the differentiae I observe and it is the secret of the first. We others live in a stream of influences;  we allow them to pour through us and mould us; there is something shaped and out of it a modicum of work

results, the rest is spilt out again in a stream of influence. We are indeterminate in our lines, we accommodate ourselves to circumstance and environment. Even when we would fain be militant and intransigent, we are really fluid and opportunist. Dayananda seized on all that entered into him, held it in himself, masterfully shaped it there into the form that he saw to be right and threw it out again into the forms that he saw to be right. That

which strikes us in him as militant and aggressive, was a part of his strength of self-definition. He was not only plastic to the great hand of Nature, but asserted his own right and power to use Life and Nature as plastic material. We can imagine his soul crying still to us with our insufficient spring of manhood and action, “Be not content, O Indian, only to be infinitely and grow vaguely, but see what God intends thee to be, determine in the light of His inspiration to what thou shalt grow. Seeing, hew that out of thyself, them. Very different was the manner of working of Dayananda. Here was one who did not infuse himself informally into the indeterminate soul ofthings, but stamped his figure indelibly as in bronze on men and things. Here was one whose formal works are the very children

of his spiritual body, children fair and robust and full of vitality, the image of their creator. Here was one who knew definitely and clearly the work he was sent to do, chose his materials, determined his conditions with a sovereign clairvoyance of the spirit and executed his conception with the puissant mastery of the born worker. As I regard the figure of this formidable artisan in God’s workshop, images crowd on me which are all of

battle and work and conquest and triumphant labour. Here, I say to myself, was a very soldier of Light, a warrior in God’s world, a sculptor of men and instituions, a bold and rugged victor of the difficulties which matter presents to spirit. And the whole sums itself up to me in a powerful impression of spiritual practicality. The combination of these two words, usually so divorced from each other in our conceptions, seems to me the very definition of Dayananda. hew that out of Life. Be a thinker, but be also a doer; be a soul, but be also a man; be a servant of God, but be also a master of Nature !” For this was what he himself was; a man with God in his soul, vision in his eyes and power in his hands to hew out of life an  image according to his vision. Hew is the right word. Granite himself, he smote out a shape of things with great blows as in granite. In Dayananda’s life we see always the puissant jet of this spiritual practicality. A spontaneous power and decisiveness is stamped everywhere on his work. And to begin with, what a master-glance of practical intuition was this to go back trenchantly to the very root of Indian life and culture, to derive from the flower of its first birth the seed for a radical new birth! And what an act

of grandiose intellectual courage to lay hold upon this scripture defaced by ignorant comment and oblivion of its spirit, degraded by misunderstanding to the level of an ancient document of barbarism, and to perceive in it its real worth as a scripture which conceals in itself the deep and energetic spirit of the forefathers who made this country and nation, a scripture of divine knowledge, divine worship, divine action. I know not whether

Dayananda’s powerful and original commentary will be widely accepted as the definite word on the Veda. I think myself some delicate work is still called for to bring out other aspects of this profound and astonishing Reve-

lation. But this matters little. The essential is that he seized justly on the Veda as India’s Rock of Ages and had the daring conception to build on what his penetrating glance perceived in it a whole education of youth,,

a whole manhood and a whole nationhood. Rammohan Roy, that other great soul and puissant worker who laid his hand on Bengal and shook her to what mighty issues out of her long, indolent sleep by her rivers and

rice-fields Rammohan Roy stopped short at the Upanishands. Dayananda looked beyond and perceived that our true original seed was the Veda. He had the national instinct and he was able to make it luminous, an

intuition in place of an instinct. Therefore the works that derive from him, however they depart from received traditions, must needs be profoundly national. To be national is not to stand still. Rather, to seize on a vital thing out of the past and throw it into the stream of modern life, is really the most powerful means of renovation and new-creation. Dayananda’s work brings

back such a principle and spirit of the past to vivify a modern mould. And observe that in the work as in the life it is the past caught in the first jet of its virgin vigour, pure from its sources, near to its root principle and therefore to something eternal and always renewable. And in the work as in the man we find that faculty of spontaneous definite labour and vigorous formation which proceeds from an inner principle of perfect clear- ness, truth and sincerity. To be clear in one’s own mind, entirely true and plain with one’s self and with others, wholly honest with the conditions and materials of one’s labour, is a rare gift in our crooked, complex and faltering

humanity. It is the spirit of the Aryan worker and a sure secret of vigorous success. For always Nature recognizes a clear, honest and recognisable knock at her doors and gives the result with an answering scrupulosity

and diligence. And it is good that the spirit of the Master should leave its trace in his followers, that somewhere in India there should be a body of whom it can be said that when a work is seen to be necessary and right, the men will be forthcoming, the means forthcoming and that work will surely be done. Truth seems a simple thing and is yet most difficult.

Truth was the master-word of the Vedic teaching, truth in the soul, truth in vision, truth in the intention, truth in the act. Practical truth, drjava^ an inner candour and a strong sincerity, clearness and open honour in the

word and deed, was the temperament of the old Aryan morals. It is the secret of a pure unspoilt energy, the sign that a man has not travelled far from Nature. It is the bardexter of the son of Heaven, Divasputra. This

was the stamp that Dayananda left behind him and it should be the mark and effigy of himself by which the parentage of his work can be recognised. May his spirit act in India pure, unspoilt, unmodified and help to give

us back that of which our life stands especially in need, pure energy, high clearness, the penetrating eye, the masterful hand, the noble and dominant sincerity.

Vedic Magaaine, 1915 47

Shri – Aurobindo